The Giant’s Causeway

Excerpt from the book Travels through History : Northern Ireland and Scotland  Belfast and the Causeway Coast has been rated best region in the world to visit in 2018 by Lonely Planet. In September 2017, Scotland was voted the most beautiful country in the world by a respected travel company, Rough Guides

In 1693 the wider world first became aware of The Giant’s Causeway when Sir Richard Bulkeley, a fellow of Trinity College, Dublin, presented a paper on this unique geographical feature to The Royal Society. Even then, it was four years before an artist was sent to the area to provide evidence of this ‘curiosity’ on the north-east tip of Ireland.

It may seem remarkable to visitors such as myself that there were people in the late 1690s who put forward an argument that The Causeway had been created either by men with chisels and picks or by the efforts of a long-dead giant. When I looked at the Giant’s Causeway I had seen many pictures of it before, so it was completely new yet somewhat familiar, but in the 17th Century nothing like it had been seen before. Therefore, the visitor’s imagination could run wild.

In 1740 another artist, Miss Susanna Drury, popularised the Giant’s Causeway for the first time. Her views of the area are landmarks both in Irish topographical painting and in European scientific illustration. The groups of fashionably-dressed figures in Susanna Drury’s paintings show that, even in 1740, the Giant’s Causeway had become a tourist attraction. Soon it became part of The Grand Tour amongst the social elites of the time and its popularity began to increase, a trend that has continued to this day. Even though there were many visitors to the Giant’s Causeway in the period 1740 – 1770, no one could conclusively prove how the feature was created. Then in 1771, a Frenchman by the name of Demarest, announced the origin of the causeway was because of volcanic action.

Travel Poetry – 2

Travel poem number 2 about Istanbul.

I depart the shiny new tram

taste sage tea hundreds of years in the making

consumed near a Muslim graveyard,

where I espied silhouettes of crescent moons, stars

under pitch black skies.

As I dodge mutant dancing zebras,

vehicles screech to halt at the light.

Garish clothes, piled on the pavement, are sorted

by six grey men, women

the smiling trader haggles with all.

My linen shirt feels clammy, I sniff fresh orange juice.

Men rock on wooden chairs, debate

unending traffic above on the concrete flyover.

Scrawny cats wail, hiss over a discarded kebab

A welcoming dolmus awaits travellers to distant destinations.

 

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